Tag Archives: Best new music

DESPERATE WISHES

YOUTH LAGOON – DROPLA

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For Fans of: Animal Collective, Other Lives,
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ORBITING BETTINSON

ULTRAISTA – YOU’RE OUT (PREFUSE 73 REMIX)

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For Fans of: Trifonic, King Felix, Kelvin Mah, Dose, Chrome Sparks, Clams Casino, Grimes, Thom Yorke,
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WISE ENOUGH TO KNOW WHEN A GIFT NEEDS GIVIN’

JUSTIN TIMBERLAKE – SUIT & TIE (FEAT. JAY-Z)

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For Fans of: R. Kelly, Usher, Robin Thicke, Michael Jackson,
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I’M A SUCKER FOR A GREAT BUILD

WINDINGS – THIS IS A CONVERSATION

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For Fans of: Wintersleep, Bloc Party, Franz Ferdinand, Queens of the Stone Age, Battles,
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WHEN THE STARDUST SETTLES

DAVID BOWIE – WHERE ARE WE NOW?

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For Fans of: U2, Elbow, Leonard Cohen,
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A NERDIER DONALD GLOVER

TORO Y MOI – SAY THAT

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For Fans of: Daft Punk, Chromatics, Hot Chip, Hercules and Love Affair,
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VIVA LA DANCE ROCK

EVERYTHING EVERYTHING – KEMOSABE

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For Fans of: Django Django, Bloc Party, Kenna, Franz Ferdinand, The Rapture, Alt-J,

Nothing sounded quite as cool in 2010 as Everything Everything’s My Kz Ur Bf. They seemed to take the dance-rock genre of the mid-naughties pushed forward by Franz Ferdinand and friends, and bring it to creative new heights. It was truly a welcomed sound, as I always believed this kind of music was too quickly dropped by bands and critics. Everything Everything now fight to keep music fresh and exciting in 2013 with their soon to be released album ArcKemosabe, a single from the upcoming album, is as frantic and grandiose as My Kz, but has a decidedly sweeter sound than its predecessor, and… well… far less violent. I may need to wait for the lyrics to figure out what the hell lead singer Jonathan Higgs is saying, all I know is it is a proper good-time track.

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SEVEN WONDERS

HAERTS – WINGS

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For Fans of: Fleetwood Mac, All Saints (yes, All Saints), Grimes, Jessie Ware, Chairlift,

A great euphoric female pop song always takes me back to the eighties. I remember my parents driving down the highway, me in the backseat, daydreaming while seeming to float over bright green pastures and brilliant yellow canola fields. In the background, I always recall a endlessly joyful Fleetwood Mac song playing, weaving its way through a child’s imagined adventures. Of course, now that I am older, I have an innate fondness to the Everywheres and Seven Wonders that pass by my ears, which is why when the brilliant Mitten Mouth Music (an always reliable source of top notch music) posted Wings, I was instantly enamoured. The Brooklyn based german band bring a dopamine-injected summer day to mind with the airy synth, bouncy bass, and island-ready guitars. The vocals are truly reminiscent of Stevie Nicks, and bring her traditionally honest swoon to the table. It is a golden track to add to your iTunes library and wait until those long sunny days come back to us.

 

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I’M ON A BLOODBUZZ

LOCAL NATIVES – HEAVY FEET

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For Fans of: The National, Grizzly Bear,

I’m on a bloodbuzz. Yes, I am. I’m on a blood… buzz. When I heard Local Natives, creators of one of my favourite debuts (Gorilla Manor), had teamed up with Aaron Dessner, one of the masterminds behind my favourite band of the decade (The National), I was cautiously optimistic. When I heard Breakers, and realized Local Natives had tightened up their sound and gone for the grandeur and brilliance of High Violet highlights, I was excited. When I heard Heavy Feet today, and realized they had done it again, I was on a full fledged bloodbuzz (which I have always believed meant a state of ultimate excitement). On Heavy Feet, the drums are more urgent, the build is bigger, the guitar more affecting than your average Gorilla Manor track. Songs like Aiplanes and Sun Hands may have been great, and Who Knows Who Cares may have been absolutely genius, but the rest of the album suffered from overly loose structures that felt liked they dragged a bit. Dessner’s influence of more solid, structured tracks is a positive sign that new album Hummingbird may eclipse its predecessor. I guess I better lift my shirt up.

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STILL HERE

ELISA TOFFOLI – ANCORA QUI

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For Fans of: Jeff Buckley, Antony & the Johnsons, Gypsy Kings slower songs,

While millions watch Django Unchained, the sounds of Rick Ross or Tupac/James Brown collaborations catch their ears. But what had me intrigued was the wonderfully alluring voice of Elisa Toffoli over Ennio Morricone’s softly plucked guitar. The simple combination of the two is completely intoxicating. I won’t pretend I have any clue as to what she is so passionately singing, except that the title means ‘still here’, and the word she longingly states over and over at the end of the song is ‘remember’ (in several different conjugations). But it doesn’t matter, the heart of the song is in her earnest and heartfelt delivery, and that is universal.

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